Red House Painters - Red House Painters - Amazon.com Music. Skip to main content. Try Prime CDs & Vinyl Go Search EN Hello, Sign in. And hey, the 1999 pressing of this record even includes the 'Shock Me' EP in its entirety (yet another cover song included). I'm going to make the guess that 'Bridge' is one of the last of the RHP releases that.
Shock Me | ||||
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EP by | ||||
Released | February 28, 1994 | |||
Recorded | 1993 at Coast Recorders and Razor's Edge, San Francisco, United States | |||
Genre | Slowcore, folk rock | |||
Length | 20:10 | |||
Language | English | |||
Label | 4AD | |||
Producer | Mark Kozelek | |||
Red House Painters chronology | ||||
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Shock Me is an EP by American slowcore band Red House Painters. It was released in the UK only in 1994 on CD and 12' vinyl by record label 4AD.
Recording[edit]
Shock Me was recorded and mixed at Coast Recorders, San Francisco in 1993. Additional recording took place at Razor's Edge, also in San Francisco.[citation needed]
Content[edit]
The EP features two versions of the song 'Shock Me', a Kiss cover. The EP went out of print shortly after its initial release. The tracks later surfaced on the reissued edition of Red House Painters (Bridge), released in 1999.
The 'untitled instrumental' hidden track is actually an instrumental version of 'A Million + 8 Things', a song from the early Red House Painters demo tapes (dated 1991-1992).[citation needed]
Reception[edit]
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | [1] |
In his retrospective review, Dean Carlson of AllMusic wrote: 'this mid-career EP displays a confident, introspective Red House Painters seemingly influenced by a parallel world where Nick Drakeshoegazed it up with Ride or Chapterhouse. Somehow, it's quietly splendid.'[1]
Track listing[edit]
All tracks are written by Mark Kozelek, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | 'Shock Me' | Ace Frehley | 4:49 |
2. | 'Sundays and Holidays' | 3:00 | |
3. | 'Three-Legged Cat' | 1:41 | |
4. | 'Shock Me' (Acoustic) / '(Untitled Instrumental)' (Hidden Track) | Frehley; Kozelek | 10:40 |
Release history[edit]
Country | Date | Label | Format | Catalogue # |
---|---|---|---|---|
United Kingdom | February 28, 1994 | 4AD | CD | BAD 4004 CD |
Vinyl | BAD 4004 |
Personnel[edit]
- Additional personnel
- Carla Fabrizio
- Dan Barbee
- Larry Ragent
- Technical
- Simon Larbalestier – sleeve images
![Red house painters retrospective Red house painters retrospective](/uploads/1/2/6/3/126338168/275914673.jpg)
References[edit]
- ^ abCarlson, Dean. 'Shock Me – Red House Painters | Songs, Reviews, Credits, Awards | AllMusic'. AllMusic. Retrieved April 7, 2015.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Shock_Me_(EP)&oldid=866037371'
Artist Biography by Jason Ankeny
Red House Painters was primarily the vehicle of singer/songwriter Mark Kozelek, an evocative, compelling performer of rare emotional intensity. Like Mark Eitzel of American Music Club, to whose work the Painters were invariably compared and to whom their early success owed a tremendous debt, Kozelek laid his soul bare on record, conjuring harrowingly acute tales of pain, despair, and loss; unlike Eitzel, Nick Drake, and other poets of decay, Kozelek's autobiographical songs walked their tightrope without a net -- forsaking the safety offered by metaphor and allegory, he faced his demons in the first person, creating a singularly haunting body of work unparalleled in its vulnerability and honesty.
Kozelek was born and raised in the Midwest, and formed his first band, God Forbid, while in his teens. After relocating to Atlanta, GA, he struck up a friendship with drummer Anthony Koutsos, and formed the first incarnation of Red House Painters. A move to San Francisco followed, where guitarist Gorden Mack and bassist Jerry Vessel rounded out the group's roster.
While performing on the Bay Area club circuit, the quartet came to the attention of American Music Club's Eitzel, who often named Red House Painters his favorite band. Through Eitzel, a demo tape of recordings cut in 1989 and 1990 made their way to the London offices of 4AD Records, which signed the group and in 1992 issued the unvarnished demos -- a superb collection of spartan, atmospheric melodies lurking behind Kozelek's ghostly vocals -- as the LP Down Colorful Hill. In 1993, Red House Painters emerged from the studio with over two-dozen new recordings, which they issued on back-to-back eponymously titled albums. Taken in tandem, the LPs established Kozelek as a unique songwriter capable of conveying stunning emotional depths; compositions like 'Grace Cathedral Park,' 'Katy Song,' 'Strawberry Hill,' 'Evil,' and 'Uncle Joe' expanded greatly upon the emotional palette evidenced on the first record, unflinchingly detailing Kozelek's erratic, abusive nature and troubled background.
A two-year lay-off followed, during which time only an EP, Shock Me -- a brief set built around a dramatic reading of an old Kiss song -- appeared in 1994. Finally, the luminous Ocean Beach, a collection of pastoral, almost sunny performances, appeared in 1995, although not without controversy; initially, 4AD did not want to release the record, further straining already tenuous relations between the band and the label. When Kozelek began work on a long-discussed solo album, 4AD threw in the towel; the album, a more rock-oriented work dubbed Songs for a Blue Guitar, appeared in 1996 on the Island imprint Supreme. Although Kozelek was the only bandmember to appear on the record, it was nonetheless issued under the Red House Painters name in order to give the group a push as it headed into the second phase of its career. However, the major-label mergers of the late '90s left Red House Painters without a record deal, and their album, Old Ramon, in limbo. During that time, 4AD released the simply titled Retrospective, a best-of collection, and Kozelek kept busy, appearing in Cameron Crowe's critically acclaimed rock & roll love story Almost Famous, and releasing several projects on the Badman label, including a John Denver tribute album, a benefit album for a San Francisco AIDS charity, and Rock 'n' Roll Singer, a mini-album of classic rock covers and new material. Eventually, Kozelek bought back the rights to Old Ramon and Sub Pop released it in spring 2001, nearly four years after it was recorded.